Arranged roughly in chronological order,
with the newer stuff at the top.
Full set in B, ebony box and brass. Some tapered ferrules on bass
drone. Bag by Laurence Thompson.
C chanter in ebony box and sterling silver (top) and 2 key concert
chanter in ebony imitation ivory and brass
7 key B chanter, ebony, imitation ivory and brass
B 3/4 4 mounted set in ebony box and brass
"Poshed up" widebore "stick" chanter - 1980's or early 90's Hunter with
no cap or mounts and one key in Sri Lankan ebony, now with wooden cap 4
keys and English box mounts and fully checked over. If you have a
Hunter "stick" it will cost you about £350 for it to have a
similar experience.
Half set "busking stick" chanter, palosanto English boxwood and brass.
Full set in C#, palosanto imitation ivory and brass. Can be heard
on the
sounds page.
My 5 key C# chanter in blackwood and English box and nickel silver.
Old Hunter boxwood chanter belonging to
Nollaig MacCárthaigh - great tone off this one.
4 key ebony, imitation ivory and brass
Coyne type B chanter - key arrangement specified by customer.
Hear
this chanter with
a reed made by the new owner
Old C#
Full concert pitch set with medium bore
and wide bore concert chanters.
Cap for C# in African blackwood, English box and nickel silver
5 key B chanter, cocobolo, Coyne style -
this has been around for ages but not photographed. Look how dark
the cocobolo goes with time. Can be heard on the
sounds page
B Bass regulator detail, inteference fit
hand rolled brass tubing. Hard work!
Grain detail from palosanto concert
chanter
3/4 set with a narrow bore concert
chanter. This is the concert chanter design which can be heard on
the Donal Lunny live album - the "busking stick".
3/4 concert set in D; lignum vitae and brass. Can be seen above
as a full set.
Top quality B 3/4 set with Coyne style chanter, ebony and
brass. Truly lovely pipes. Tone, tone and more tone!
Chanter can be heard on the
sounds page
Half set in B before it was a 3/4 set - detail
You won't see many of these . . .
An old boxwood Eb flute that arrived back in the workshop in very bad
condition. New ferrules and a good going over and it's great to
play again, sadly the Eb block was smashed off. . . . This
is the same design of flute that can be
heard
on the
Paul
McGrattan album